BIO:

Born in South Korea, Jeuno Kim is a Swedish artist and educator living in Copenhagen. Currently, she is the study leader of the BFA school at the Royal Danish Academy of Fine Arts. Previously, she was a Professor at the Funen Art Academy, and study leader of the BFA program in Fine Arts at HDK-Valand, Gothenburg University. 

Kim has a background in feminist liberation theology, classical piano, and has previously worked as a radio DJ. Her performance, text, sound and video works explore the nebulousness of memory and its formative role in questions of identity that is mediated through geography, translation, and narratives. Her artistic practice is oriented toward problematics of representation, animated images as knowledge, feminist pedagogies, and issues of living in translation required of many diasporic identities.

Since 2008 Kim has been part of an artist duo with Swedish artist Ewa Einhorn, and since 2009 they have made numerous videos, performances, drawings, and installations. They are the founders of Krabstadt, a feminist transmedia project, which has been shaped through many collaborations and contexts producing animated films, computer games, performances, and an academic journal. 

Artist Pia Rönicke lives and works in Copenhagen. She is educated at the Royal Danish Art Academy (1995-2001) and California Institute of the Arts (1999-2001).

The exhibition is supported by the Danish Arts Foundation.

SOLIDARITY FILMSCREENING FOR PALESTINE #4

by Maia Torp Neergaard and Arendse Krabbe

On saturday the 12th of October at 19 hour Arendse and Maia will open up Astrid Noacks Atelier to show a short film programme in solidarity with Palestine. The evening’s main film will be ”Vibrations from Gaza” by Palestinian artist Rehab Nazzal. A 16 minute glimpse into the lives of children with hearing dissabilities in Gaza. A both beautiful and thought provoking piece. The donations of the evening will be sent to Atfaluna Society for Deaf Children. Rehab writes: Atfaluna was looted, bombed and destroyed by the IOF and now the Deaf community of the Society is working in tents in Deir Albalah.

We will provide some snacks and tea/coffee and hope that you’ll come and send donations to support Palestine.

Everybody is warmly invited

The title Plenty is taken from renowned chef and author Yotam Ottolenghi’s bestselling cookbook. Through sculpture, video and text, the works reinterpret various household items and reflect upon their function and their distribution. Food for thought: aspirational living compels consumers to endlessly trade the old for the new; capitalist individualism results in the reproduction en masse of the same; and cultivation of good conscience consumption is the psychic equivalent of waste management.

—

Cinnamon

It happened gradually and you started

To detect it

You grew shabbier and shabbier

This shabbiness was not the vain shabbiness of vintage style

Of carefully curated second-hand garments

The roughened nostalgia of temporal oblivion

It was the shabbiness of Thule, Ortlieb and Freitag

Of bicycle courier bags gone mainstream

That is the ultimate shabbiness of utilitarian ethics

Missing the glamour of the public realm

Northern efficiency aesthetics as the minima

Of demonstrable desirability

Everything on your back

Carting the means of production like a privilege

“Your day, your story!”

The day backpack and

The desire to be contained

Inside them all

Things that make the public realm appear

An inconvenience or incidental

For example: laptop, refillable drink bottle, ebooks on cultural theory and self-help, facial wipes, spare pair of underpants, portable battery pack for smartphone, keys to flat and bike, Tupperware container, mask, tissues, sweatshirt, wallet with a few different credit cards, ID from a country you aren’t in, earphones, hard-drive, hand sanitiser, bag of nuts, chargers

All were possessions

Minimal possessions

Used to distinguish you

At least nominally

You are flexible and mobile

Connected, multilingual, worldly

You tried not to fly too much

You still remembered being flattered

To go regularly to the airport

Compare airline experiences

When you flew lowcost you were doing jobs

You got used to distinguish yourself from tourists

Still

Like packhorses you were carting

The means of production

Trollies in streets, markets and airports

Showed that you needed

Your belongings close

For the threat of theft

And that you wouldn’t be yourself without them

“Don’t leave your belongings unattended

At any point during your journey.

Keep your bags zipped and keep your phone

Wallet and purse out of sight and valuables secure.”

Because everything was owned

Everyone was also a thing

The ones who left things outside

Were the ones who lived out there on a limb

The ones who owned nothing

And the ones who could afford to lose everything

Locked it all up in cases cars houses insurance packs stocks

The containers were never enough

One day while waiting

For your righteousness to be confirmed

Hold what you don’t have and get rid of it

—Eleanor Ivory Weber

OPENING: Thursday 15 August from 4pm-8pm with reading by Eleanor Ivory Weber at 7pm.

OPENING HOURS: Fridays and Saturdays from 1pm-5pm, saturday the 7th of september 2pm-6pm, or by appointment (mail@jakobohrt.com eller mail@astalynge.info)

BIOS:
Asta Lynge and Jakob Ohrt are artists who occasionally work together. Their work revolves around the notion of lifestyle often reducing it to its basic spatial, social or material conditions. Their collaborative work has been shown at O–Overgaden, Copenhagen; Cherry Hill, Cologne; Cucina, Copenhagen; Cittipunkt, Berlin; Vermilion Sands, Copenhagen and Stockholm School of Economics (with coyote).

Eleanor Ivory Weber is a writer and artist living in Brussels. In recent years her texts and performance works have been presented at C.C.C. Gallery, Copenhagen (with Philip Poppek); Wiels, Grand Casino Knokke; Woonhuis De Ateliers, Amsterdam; Etablissement d’en face, Brussels; Haus am Waldsee, Berlin; Alma Sarif, Brussels; and Kunstverein München.

The exhibition is supported by The Danish Arts Foundation and the Council for Visual Arts.

Several areas in the Lundtoftegade neighbourhood have undergone multible changes over the past years: Including new playgrounds, plant devices for residents, a permaculture garden, a fancy outdoor restaurant, art on the outside brickwalls, and a container for art and children’s activities have moved to the area.

Both major and minor adjustments are making their way to the common and shared spaces.

The theme of the year at the container of ANA’s Mobile Children’s Studio will be: The city of children, where we can dream together, draw and produce models of what city’s spaces could also look like.

What will the children build if they think wild and freely about what could be between the houses?

In the Children’s Studio, we will work with playgrounds and public spaces in miniature scale and on an imaginary level. Together with the children, we imagine the city’s commons and spaces. What do the children think we might need to meet about in public space? What could you gather about in places that belonged to everyone? What would happen if you built free shelters in the city, what if you built outdoor kitchens or made large groups of hammocks or slides in the trees? Where is it good to play? We will focus on the playground and its history, as a space for critical reflection on the role of children and community in the city.

In the workshop, we will build models and draw, while imagining spaces, and together we can talk about what scenarios could play out in the spaces that have been made. In this way, we explore how architecture and design, influence our behaviour, dreams and ways of life.

From 20 August to 13 September 2024 we will open for drop-in workshops for anyone who wants to come and join us. We also offer dedicated workshops for local school classes, kindergartens and other childcare centres and institutions.

The Children will work with different materials such as self-hardening clay, cardboard, rubbish, wood, paper, fabric and more. We’ve prepared frames and materials for this specific occasion, making the art easy to approach.