ASTRID NOACKS ATELIER

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    • Astrid Noacks Atelier
    • Rådmandsgade 34
    • 2200 København N
    • cp@astrid-noack.dk

Current

ANA Forum

Sara Hamming Artist talk – online streaming

21.01.21

Thursday 21th January from 17-18

Link: https://www.facebook.com/events/167859695087439/

The performance journal bastard and Astrid Noacks Atelier has invited performance artist Sara Hamming for a conversation on the occasion of the premier of ENGLISH SPEAKERS – a sound- and music performance about English performed by nine loudspeakers – the 24th November at KUBE.

ENGLISH SPEAKERS is a performance about the English language, performed by nine loudspeakers. In etymological masturbation scenes and trance creating spelling séances you will hear English – a main character and a language in one and same voice. English tells her story, but gradually her story is interrupted by other voices. A rebellious girl choir, search engines language of algorithms and the holes, which appears in the narrator’s memory. What will become of the language of the world, which lives in the mouth of you and me? Is the imperialistic linguistic falling?

The artist talk at Astrid Noacks Atelier, which because of covid-19 is streamed online, will begin with a performative scene by Sara Hamming, but will apart from that take its’ starting point in the artist’s latest work. The conversation will continue around Sara Hamming’s art practice and earlier works.

Sara Hamming is a writing performance artist and stage director and creates works from the production platform Moribund, Sara Hamming works performatively and often audibly with the relation between language and history. Earlier works includes among others OUM – en iscenesættelse af stemmer in collaboration with composer Anja Jacobsen, Choreography on the Face in the series Whole Body Treatment and Bloody Mary d. 4., staged in her  childhood home – detached houses in Valby and Snekkersten.

The artist talk with Sara Hamming is organised by the editor of bastard, art critic and writer Mette Garfield.

The event is supported by the Danish Art Foundation.

ABOUT BASTARD
bastard.blog is a performance- and contemporary stage art, choreography and cross disciplinary art practises journal. The journal focuses on the performance genre, which rarely reaches the columns of daily magazines and art medias. Besides articles, reviews, interviews and artists’ contribution at the web platform, bastard arranges events such as talks and performance series in order to expand and create attention around the performance media and to reach a wider audience.

Events

Calendar

ANA Forum

Sara Hamming Artist talk – online streaming

21.01.21

Thursday 21th January from 17-18

Link: https://www.facebook.com/events/167859695087439/

The performance journal bastard and Astrid Noacks Atelier has invited performance artist Sara Hamming for a conversation on the occasion of the premier of ENGLISH SPEAKERS – a sound- and music performance about English performed by nine loudspeakers – the 24th November at KUBE.

ENGLISH SPEAKERS is a performance about the English language, performed by nine loudspeakers. In etymological masturbation scenes and trance creating spelling séances you will hear English – a main character and a language in one and same voice. English tells her story, but gradually her story is interrupted by other voices. A rebellious girl choir, search engines language of algorithms and the holes, which appears in the narrator’s memory. What will become of the language of the world, which lives in the mouth of you and me? Is the imperialistic linguistic falling?

The artist talk at Astrid Noacks Atelier, which because of covid-19 is streamed online, will begin with a performative scene by Sara Hamming, but will apart from that take its’ starting point in the artist’s latest work. The conversation will continue around Sara Hamming’s art practice and earlier works.

Sara Hamming is a writing performance artist and stage director and creates works from the production platform Moribund, Sara Hamming works performatively and often audibly with the relation between language and history. Earlier works includes among others OUM – en iscenesættelse af stemmer in collaboration with composer Anja Jacobsen, Choreography on the Face in the series Whole Body Treatment and Bloody Mary d. 4., staged in her  childhood home – detached houses in Valby and Snekkersten.

The artist talk with Sara Hamming is organised by the editor of bastard, art critic and writer Mette Garfield.

The event is supported by the Danish Art Foundation.

ABOUT BASTARD
bastard.blog is a performance- and contemporary stage art, choreography and cross disciplinary art practises journal. The journal focuses on the performance genre, which rarely reaches the columns of daily magazines and art medias. Besides articles, reviews, interviews and artists’ contribution at the web platform, bastard arranges events such as talks and performance series in order to expand and create attention around the performance media and to reach a wider audience.

ANA Air

Johan Tirén While the city grows

15.03.21 - 29.03.21

 

“I had an idea that my work at ANA would be about the city, and the change that is going on with a city that is growing, but which also seems to be more and more streamlined. Then came the pandemic. Moving around the city is associated with discomfort and meeting face to face is something we did before. Taking on the city in the way, I first thought is no longer possible, not now, but hopefully sometime in the future. Instead, I worked on another piece, less documentary, perhaps more a kind of sketch of a condition. Simple. Unfinished. A loop that we are stuck in. A room that we do not leave, and yet something is going on outside. Backyards are closed and privatized, buildings become more numerous, green areas fewer. Yes, the city is growing, but the rooms we share are getting tighter and tighter. We have to get out again.”

“While the city grows” is the second part of Johan Tirén’s stay at Astrid Noack’s Atelier. The first part took place in October 2020.

ANA Local

Joen Vedel Tyve teser om samtiden

09.04.21 - 30.04.21
ANA Local

Sara Hamming LOST TITLE – a cycle of testemonies of waste

01.05.21 - 30.05.21
LOST TITLE is a performative work that places itself between visual art, performance, sound and use of the voice. It is created by performance artist Sara Hamming in collaboration with composer Anja Jacobsen – with choreographic research by Alice Martucci. The performance deals with waste as trauma; as something physical and psychological as well as a political and environmental problem. The performance is inspired by the poetic and musical forms of the ancient Greek choir and by group therapy – where a group of people connect with each other through conversation to dissolve shame and taboos. The text for LOST TITLE is written by eight people who in different ways work with or have a special relationship with waste, eg garbage workers, environmental activists and people who “hoard”, ie. collects and does not throw out. These lyrics are performed by a choir. After the public performances in Astrid Noach’s Atelier, the work will tour around the country and the stage directions will then be passed on to local choirs.

 

Past events

ANA Local

Mia Edelgart, Deirdre J. Humphrys, Ninna Poulsen & Tine Tvergaard, featuring Kirsten Dufour og Finn Thybo In the Zone of Stones

29.10.20 - 29.11.20

 

“After reading your letters, I imagine the studio. At first I see the broad warm bodies, of the horses that inhabited the room before Astrid Noack moved in. I think of her and of the damp sculptures wrapped in clammy cloth, I hear her breath, slowly growing weaker, as a result of the coarse foul air. I think of reproductive work and the premise set forth by materialist feminism that reproduction precedes production. “I work in the kitchen” – yes, I recall your first sketch for ​​a flickering fluorescent lamp with these words, Deirdre. I hear bits of conversations – then and now. Tension lies in the material, in the boundaries and I envisage your works in the room, in the ‘zone’, which at once seem homely, recognisable, yet somehow out of shape – lumpy, useless. You describe your works as alive, Tine. They communicate, and like your many conversations, they are kin to this room. And so I think of your collective practice as an alternative community of (un)learning, where you are actively influenced by the improvised body that is formed between you.”*

 

We very much hope that you will come visit the exhibition.

Opening on Thursday 29 October at 17.00 – 21.00.

Temporary entrance Rådmandsgade 32 via underground car park. Ring the bell and follow the signs!

Opening hours: Friday – Sunday at 13.00 – 17.00.

*Excerpt from a letter Kathrine Bolt Rasmussen has written to us as a group.

ANA Air

Johan Tirén While the City Grows

05.10.20 - 19.10.20

Johan Tirén is invited to do a site-specific exhibition project at Astrid Noack’s Atelier. The project consists of two parts, a shorter residency in May (postponed to October 2020), followed by an exhibition in February 2021. The idea is that the experiences, and findings from the research stay, is developed into a public project to be shown in ANA or in the surrounding public space of Ydre Nørrebro.

In the project with the preliminary title “While the city grows” Tirén will from an artistic point of view look into some of the key issues and questions we face in todays urban development. For whom are we building the “new” city, what happens to the people and the businesses that are already in place? And if everything is planned, where do we find the openings that the unplanned is offering us today?

Johan Tirén (b. 1973) holds an MFA from Malmö Art Academy (2004) and has studied at the Royal Danish Academy of Fine Arts (1998–2003). He works in different media, such as drawing, graphics, video, and text, and uses his research-based artistic practice both inside the art institution and outside, for instance in city planning processes with a special focus on social problematics concerning sustainability and planning. He strives to be open and precise in his artistic work, looking for a political acuity that does not loose sight of art’s poetic qualities. Tirén has exhibited widely, for instance at Göteborg International Biennial for Contemporary Art, Galleri Tom Christoffersen, and Overgaden, and has together with colleague Anna Högberg done public commissions for Statens Konstråd and Örebro Kommun.

The project is supported by: 

The exhibition programme at Astrid Noack’s Studio is supported by The Danish Arts Foundation and Nørrebro Lokaludvalg.

ANA Forum

Jenny Graf Sheppard Radical Listening – Postponed!

01.10.20 - 04.10.20
ANA Local

Nanna Lysholt Hansen Mother Mould

15.09.20 - 30.09.20

Obst. Amb. / birth / pregnant

22-10-2013 Kl. 01:00

I para I am.first time pregnant,

GA 39 + 0 I am. pregnancy Age

VA I am. Water drainage / you are. from kl. 14.30 / you are expected. Parturition. Night. natural

UDV. US I am one. external examination / you are. I usually. You are in a hvst-Main position

I am. Uterus soft and tender on palpation

You are. Fundus / I am. top of uterus / there is. ca. 3 fgr. There is. finger widths / there are. Processus xiphoideus / the tip of a sternum

fundus plural fundi

fundus is. The large cave organ is further away from an opening.

Fundus is. The top. Hollow. Part of the uterus and

Fundus is. The back. Internal part of the eye that accommodates the retina and associated blood vessels

Caput is. the head. BI is. Pelvic inlet. FS is fetal beauty is SF is Science Fiction. You are. 3500 grams

(Excerpt from Nanna Lysholt Hansen’s audio/video sculptureZira Mater Matrix, 2020)

Nanna Lysholt Hansen’s project in Astrid Noack’s Atelier consists of three parts: an exhibition, a live performance and a book publication. The title of the exhibition Mother Mould is taken from the English term for ‘a supporting shell around a mould’. By focusing on the surrounding material – ‘the supporting shell’ – ecologies and technologies in the creation process are emphasized. Interfaces, cast and mold, are examined as two contingent parts. Organs are created in direct contact with the mother body. Creation takes place through a temporary organ; the placenta. Through the placenta, the fetus and mother exchange genetic material and some of these micro-chimera cells live on in the mother’s body after birth. The boundary between individuals is thus dissolved.We are a biologically cohesive liquid symbiotic organism. The mother is chimera, a hybrid of machine and organism, a fictional creature, the ultimate cyborg. In her exhibition in Astrid Noack’s Atelier, Nanna Lysholt Hansen uses the cyborg mother as a figure to think through with the aim of rethinking kinship, subjectivity and knowledge production.

In the series The Chthonic Ones (2016-2020), which is part of the exhibition, Nanna Lysholt Hansen works sculpturally with the anatomy of the clitoris, a tentacular organ which was not mapped until as recent as in 2005 with the help of new 3D scanning technologies. The title of the series is borrowed from biologist and philosopher Donna Haraway’s concept of the chthulucene. A concept that thinks of an individual’s identity as fluid, amorphous and diverse. The chthonic means in/of/under the ground/earth. In ancient Greek mythology, the subterranean, the chtonic deities, are associated with the fate of the dead as well as with the fertility of the earth. Haraway suggests a return to the chthonic, the earthbound, recycling and composting, as a necessity for survival in a world destroyed by the exploitation of the earth’s resources. We must think of ourselves as compost, bound together as fungi, lichen, mould.

As part of the exhibition, a body-sized clitoris made of concrete will occupy the construction site that currently surrounds Astrid Noack’s Atelier. Based on her own body as material, Nanna Lysholt Hansen will initiate a study of spatial and temporal processes. The body will enter into a direct relationship with the surrounding architectural space – the studio as well as the construction site – and aspects of memory, gender, language and narratives will be challenged in relation to the gaze of the body over time. The artist recalls her ongoing memories about the female body, pregnancy, childbirth and motherhood and uses these experiences as material in Mother Mould.

The exhibition opens on Thursday 24 September and is the first part of Nanna Lysholt Hansen’s project in Astrid Noack’s Atelier. Later this year, Nanna Lysholt Hansen launches her upcoming artist book and presents a live performance. These events will be announced later.

In connection with the exhibition Mother Mould, the platform bastard arranges a conversation between Nanna Lysholt Hansen and writer, art critic and author Mette Garfield in Astrid Noack’s Atelier Thursday 24 September 5-6 PM. www.bastard.blog

The exhibition is open Friday and Saturday 2-5 PM or by appointment 60329184.

The project Mother Mould is supported by The Danish Arts Foundation, the Beckett Foundation and Rådet for Visuel Kunst, City of Copenhagen.

Nanna Lysholt Hansen is educated from The Royal Danish Academy of Fine Art in Copenhagen (2006-2011) and Kingston University, Faculty of Art, Design & Music in London (2002-2005).

See full archive

About ANA

ANA is a cross-aesthetic space for artistic experiments, knowledge sharing and critical discussion at Ydre Nørrebro in Copenhagen. ANA is dedicated to the notion of art as a public sphere and as a collective reflection tool that can create forms and images making us see and sense, ask questions and think about the world and everyday life in new ways. ANA focuses with and through art on sharing knowledge, testing ideas and presenting alternative horizons of imagination and models of action.

ANA was established in 2009 and has a background in the activist artist collective YNKB (Ydre Nørrebro Culture Bureau). ANA’s program has four tracks: ANA Local, ANA Air, ANA Children and ANA Forum. These draw threads back to the Danish sculptor Astrid Noack’s everyday life and artistic work in the studio in the period 1936-1950, where social and professional exchanges with neighbors and artists from near and far were part of daily life. ANA’s cross-esthetic program links the history of the room with a desire to jointly develop the space, which, as a result of gentrification, is left isolated, cut off from its previous existence as part of a lively backyard environment with workshops and small industry.

Today, ANA stands on the shoulders of the many artists and actors who over the years have contributed to supporting and developing the space. ANA’s institutional modus operandi is rooted in a principle of repetition and slowness. In order to allow artists to develop projects over several years and to gain knowledge of the space and the surrounding rapidly gentrified area – which used to be a typical working class neighbourhood – we emphasize inviting artists on several occasions, so that over time they can continue investigations and conversations. Our desire is to keep things moving, to prioritize process over result and to act as an open, caring, generous and inclusive art space.

In the coming years, we will further try to emphasize values around slowness, contemplation, ‘commoning’ and collective (un)learning. A set of values that moves against the productivity- and efficiency-oriented structures that characterize the surrounding capitalist society and the art institution, and which often result in stress and exhaustion. We want, step by step, to slow the pace and focus on offering artists generous time for reflection and the opportunity to experiment and research in a context where knowledge sharing, negotiation and critical dialogue are at the center.

ANA’s program 2021 is supported by

Kunstfonden_LOGO_small_JPG

Logo-Nørrebro-lokaludvalg

BKFO-logo - farver

  • ANA Air
  • ANA AIR is a residency track for international artists who are invited to develop projects over time, often based on the physical and local context of Ydre Nørrebro.
  • ANA Children
  • ANA CHILDREN is a track for children and young people, where artists are invited to develop process- and dialogue-based works over time with children. The track is based in ANA's Mobile Children's Atelier in Mimersparken and is being run in close collaboration with The Staffed Playground.
  • ANA Forum
  • ANA FORUM is a track for knowledge sharing, contemplation, ‘commoning’ and critical discussion.
  • ANA Local
  • ANA LOCAL is a track meant for resident artists, which emphasizes process-oriented studies of historical as well as current societal questions and issues.

Preservation Work

Sorry, this entry is only available in Dansk. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.

Det ligger der endnu. Billedhuggeratelieret i Rådmandsgade 34 på Ydre Nørrebro i København. Her boede og arbejdede billedhuggeren Astrid Noack (1888-1954) under meget primitive forhold i baghuset i perioden 1936-1950. Herfra kæmpede hun sin vej op gennem tidens mandsdominerende kunstverden, og skabte nogle af sine betydeligste værker, hvilke siden bragte hende en plads i Den Danske Kulturkanon.

I 2010 blev Fonden Rådmandsgade 34 dannet med det formål, nænsomt at restaurere atelieret. I September 2016 påbegyndtes, som det første vigtige skridt i Fondens arbejde, restaureringen af den del af baggården som Astrid Noack boede og havde atelier i. Restaureringen realiseres med støtte fra Ny Carlsbergfondet og varetages af arkitekt Erik Brandt Dam.

Astrid Noack

Sorry, this entry is only available in Dansk. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.

Astrid Noack (1888-1954) er en af det tyvende århundredes betydeligste danske kunstnere og berettiget blev hun i 2006 optaget i (den lidt kontroversielle) Kulturkanon over de betydeligste danske kunstværker.

Som billedhugger var hun inspireret af den franske tradition, gennem sin lærer på Maison Watteau, Charles Despiau, som er karakteriseret ved nøjsomhed og knaphed i midlerne og med forbillede i den arkaiske skulptur. Figurerne står i rummet og med små bevægelser skabes forskydninger, der giver skulpturen liv. Skulpturerne er bygget op indefra, hvorfra forskydningerne forplantes ud mod overfladen og videre ud i rummet.

The association

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Astrid Noacks Atelier er en forening, som du kan blive medlem af. Medlemmer og bestyrelsen består af alle mulige folk; både af kunstnere, lokale beboere, kulturformidlere og alle der har en interesse i ANAs aktiviteter og bevarelse.

Foreningens overordnede formål er at arbejde for en bevarelse og genanvendelse af Astrid Noacks Atelier samt tilhørende baggårdsmiljø i Rådmandsgade 34 for på sigt at udvikle stedet til et nyt kunst- og kulturmiljø for og med lokale beboere.

Foreningens initiativ til at bevare og udvikle Astrid Noacks Atelier blev i 2009 præmieret af Statens Kunstfond i forbindelse med fondens Open Call om kunst i det offentlige rum.

Bliv medlem

Hvis Astrid Noacks Atelier skal bevares og udvikles for eftertiden, har vi brug for dig.

Årligt kontingent

Personligt medlemskab: 150 kr.
Medlemskab for foreninger: 300 kr.
Medlemskab for firmaer/institutioner: 600 kr.

Der kan indbetales på: Reg. nr. 2109 og Konto nr. 6883606696

Husk at notere navn og email ved betaling. Og tilmeld jer Astrid Noacks Ateliers nyhedsbrev.

Contact

  • Astrid Noacks Atelier
  • Rådmandsgade 34
  • 2200 København N

  • Director & curator
  • Kathrine Bolt Rasmussen
  • 22 30 80 91
  • kbr@astrid-noack.dk
  • Development
  • Charlotte Præstegaard Schwartz
  • 27 12 20 06
  • cp@astrid-noack.dk

The Board

  • Chairman
  • Victor Réne Valqui Vidal
  • 43 64 78 49
  • rvvv@dtu.dk
  • Boardmember & artistic director
  • Kirsten Dufour
  • 20 61 31 73
  • saas.dufour.andersen@gmail.com
  • Boardmember
  • Finn Thybo Andersen
  • 60 81 02 18
  • finnthybo@gmail.com
  • Boardmember
  • Rikke Diemer
  • 40 38 94 29
  • rikke.diemer@gmail.com
  • Boardmember
  • Mie Lund Hansen
  • 27 28 15 29
  • mielun@gmail.com
  • Treasurer
  • Helle Westergaard
  • 42 46 09 54
  • helle.hik@gmail.com